Peter Paul Rubens
Peter Paul Rubens's Oil Paintings
Peter Paul Rubens Museum
June 28, 1577 – May 30, 1640. Flemish Baroque painter.

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RUBENS, Pieter Pauwel
Adoration of the Magi

ID: 64699

RUBENS, Pieter Pauwel Adoration of the Magi
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RUBENS, Pieter Pauwel Adoration of the Magi


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RUBENS, Pieter Pauwel

Flemish Baroque Era Painter, 1577-1640  Related Paintings of RUBENS, Pieter Pauwel :. | Virgin and Child AG | Adoration of the Magi | Virgin in Adoration before the Christ Child f | Perseus Liberating Andromeda | Lamentation of Christ |
Related Artists:
Heinrich Friedrich Fuger
painted Prometheus brings Fire to Mankind in 1817
Eduardo Zamacois Y Zabala
Eduardo Zamacois y Zabala (ca. 1841 - 14 January 1871) was a Spanish academic painter who was born in Bilbao, Spain in 1841 or 1842. He moved to Madrid in 1859, where he enrolled in the Real Academia de Bellas Artes de San Fernando and studied with Federico de Madrazo. In 1860, he studied in Paris with Jean-Louis-Ernest Meissonier (1815-1891). He achieved success at the Paris Salon of 1867 with Buffon au 16e siecle. Zamacois y Zabala is associated with both classicism and anti-clerical art. He is known to have employed the Swiss painter Edouard Castres (1838-1902) as his assistant. He died in Madrid in 1871 at the age of 29.
Sebastien Bourdon
(2 February 1616 - 8 May 1671) was a French painter and engraver. His chef d'œuvre is The Crucifixion of St. Peter made for the church of Notre Dame. The Finding of Moses, c. 1650 (National Gallery of Art, Washington)Bourdon was born in Montpellier, France, the son of a Protestant painter on glass. He was apprenticed to a painter in Paris. In spite of his poverty he managed to get to Rome in 1636; there he studied the paintings of Nicolas Poussin, Claude Lorrain and Caravaggio among his eclectic selection of models, until he was forced to flee in 1638, to escape denunciation by the Inquisition for his Protestant faith. Bourdon's facility rendered him adept at portraiture, whether in a dashing Rubens manner or in intimate, sympathetic bust-length or half-length portraits isolated against plain backgrounds that set a formula for middle-class portraiture for the rest of the century, landscapes in the manner of Gaspar Dughet or cappricci of ruins, mythological "history painting" like other members of Poussin's circle or the genre subjects of the Dutch Bamboccianti who were working in Rome. His eclectic range of styles have given art historians exercise in tracing his adaptation of his models, while the lack of an immediately recognizable "Bourdon style" has somewhat dampened public appreciation. In 1652 Christina of Sweden made him her first court painter. Bourdon spent most of his working career outside France, where, though he was a founding member of the Academie de peinture et de sculpture (1648), he was for long largely dismissed as a pasticheur, a situation partly rebalanced by a comprehensive exhibition in 2000 of his work at the Musee Fabre, where the collection includes a fine Lamentation painted in the last years of his life. His success required the establishment of an extensive atelier, where, among his other pupils worked Nicolas-Pierre Loir and Pierre Mosnier. He died in Paris in 1671.






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